News

BOSTON: Touring gives the band 'peace of mind'

NY Rock Music Examiner
By Suzanne Rothberg

Get ready BOSTON fans! The band is gearing up for their U.S. summer tour which includes their one and only New York City area appearance at the Westchester County Center in White Plains, on July 22! The iconic classic rock band from the town of the same name has been a mainstay on classic rock radio with the tunes, 'More than a Feeling,' 'Peace of Mind' 'Rock And Roll Band, 'Smokin', 'Foreplay', 'Something About You' 'Amanda' and more. It seems you cannot go anywhere without hearing at least one song by BOSTON.

The lineup for White Plains is in this order: Tom Scholz lead and rhythm guitar, bass, keyboards, Gary Pihl, rhythm and lead guitar, keyboards, backing vocals, Tommy DeCarlo, lead vocals, keyboards, percussion, David Victor, guitar vocals, Tracy Ferrie bass guitar, Curly Smith, drums, percussion, harmonica, backing vocals. Their famous logo is the BOSTON spaceship.

NY Rock Music Examiner spoke with singer-guitarist David Victor about their upcoming tour and what keeps the band going. He's the newest member of the band from California.

Boston still delivers more than a feeling at tour opening concert in Hollywood

By Howard Cohen

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Calling a live album  live is often a misnomer in popular music. Almost all of the popular live albums  Frampton Comes Alive!, Eagles Live, Garth Brooks Double Live  were heavily doctored in the studio with overdubs, re-recorded instrumental parts and re-sung vocals to sound painstakingly close to the recorded versions.

Three songs into Boston s opening date of its 2012 tour at Hard Rock Live near Hollywood Thursday night, just after a flawless recreation of the 1978 classic rock staple Feelin Satisfied, the notion of having to resort to suchdeceptive trickery seemed unnecessary for musicians and sound engineers of this caliber. Boston s front-of-house sound was crystalline, full-bodied, warm and powerful, so close to perfect, one could suggest that all Boston has to do to craft its first killer live album right now is to get on stage and simply hit the record button.

Boston mastermind Tom Scholz, the group s founder, guitarist, keyboardist and primary songwriter, laughed backstage at that suggestion after the 105-minute concert.  They d hear all my mistakes, he quipped.

If there were any faults in the opening night s performance they mostly were reflected in the concert s haphazard video presentation. The large screen behind the band only sporadically flashed images, none of them particularly interesting, save a few shots of the distinctive Boston guitar spaceship logo.

The concert s pace in the latter third also flagged a bit with a three-part Third Stage combo of My Destination/New World/To Be a Man. Ditto the surprising inclusion of the mid-tempo Used to Bad News as the penultimate encore. The more rousing Don t Be Afraid, from the same Don t Look Back album, would have maintained the peak Boston had built by that point.

But these are minor quibbles. Boston, working as a six-piece with vets Scholz and guitarist/keyboardist Gary Pihl, now includes new co-vocalist/rhythm guitarist David Victor swapping leads with lead singer Tommy DeCarlo on Peace of Mind and Amanda. Muscular drummer Curly Smith, who has a long r

Rock man finds home in Boston

Gary Pihl is a man of opposites.

He s a guitarist and singer in Boston, part of July s Empire Rockfest concert series. But Pihl (pronounced  peel ) is hardly a stereotypical rock star. He got a steady gig because he didn t do drugs, while his work in Boston led to a steady 9-to-5 company job. Oh, and he s been married only once  to his highschool sweetheart.

On the phone from a Florida hotel room, Pihl doesn t sound road-weary, jaded or cocky. In fact, he sounds pretty average  and very content. And there s a reason. For starters, Boston is hardly ever on the road. The band s July 27 performance Empire Rockfest is the first date of a rare tour.

 (Founder) Tom Scholz likes to tour when we have a record out  which is why we haven t toured that often, says Pihl.  On average it s about once every four years.

 The band is not prolific, but we like to think it s quality above quantity, he says, laughing.  I personally love touring, he says, adding that he s so used to the songs that he can play without thinking; it gives him a chance to enjoy his time onstage.  It transcends the music for me.

Pihl grew up in Chicago before moving to the San Francisco area, where he was in several high school bands.

A fellow guitarist hooked him up with lessons from a guitarist in a band called The Warlocks. His name was Jerry Garcia, and his band was soon renamed The Grateful Dead. By 1977, Pihl and his bandmates at the time were acquaintances with singer Sammy Hagar and had played a few gigs with him.  He says,  Hey, Pihl, are you into drugs? I says,  No. He says,  Why don t you come down and jam with us? We lost our other guitarist.  Pihl and Hagar were touring with Boston between 1977 and 1979. When Hagar left to join Van Halen, Pihl walked into a job with Boston. He says he d been quizzing Boston founder Tom Scholz about various technical questions, such as how he produced certain guitar tones.  We immediately hit it off on that tech level.

When Scholz created Scholz Research and Development Inc. to build his own line of music gear, Pihl ended up with an offstage job. He appeared at trade shows and elsewhere, demonstrating the equipment and answering questions.

He and his wife met at age 16 and dated until their marriage 10 years later. They have two sons, ages 27 and 30. Pihl said his technical job s routine was good for his family.

 It was kind of a grounding element for them: no matter how big a rock star you are, you still have a day job and go to work.  I thought it was nice that the kids saw this, that it s not just sex, drugs and rock and roll. But the rock and roll thing still works for him.

Pihl says the band is used to seeing several generations of fans in the crowd, but there s a classic-rock revival happening, thanks in part to older tunes being used in video games.

 All of a sudden we re seeing teenagers on their own, not just being dragged there by their parents.  They like the music because they found it themselves. Who would have thought that would have happened? Pihl says the fans enthusiasm makes it easy to play the same songs night after night.  If I had to play the same songs, no matter what songs they are, every day in my livingroom, then yeah, that would be boring.  All you ve got to do is look down in the audience and see people smiling and singing along with us, he says.  There s nothing like that.

" Visit empiresquarelive.com or call 613-969-0099 ext. 1 for details and tickets.

Source

Boston - Seminole Hard Rock Live, Hollywood - June 28

Boston
Seminole Hard Rock Live, Hollywood
Thursday, June 28, 2012

Better than:
The computerized arena pop of today

Though no longer playing arenas, like in their 1970s heyday, Boston still played at a volume loud enough to feel as if it were playing in a mega huge stadium last night. The practically sold out show at the Seminole Hard Rock Live began while some of the audience was still filing in. With the announcement of "Ladies and gentlemen... Just another band out of Boston," the sound of Tom Scholz' distinctively grandiose electric guitar filled the Seminole Hard Rock Live. Soon, drummer Curly Smith joined in, pounding away at his massive kit with the famous Boston logo emblazoned on two bass drums, not to mention the hard-to-miss gong behind him.


The bombast was supplemented by bassist Tracy Ferrie, longtime guitarist Gary Pihl, and the band's newest member David Victor, also on guitar. Singer Tommy DeCarlo came out stalking the stage, and the band kicked off the set with "Rock & Roll Band" off their chart-topping 1976 self-titled debut.

Sporting a graying beard, DeCarlo sang with expected quality, echoing the breathy tenor of Brad Delp, with perfect inflection. Delp had been the band's singer throughout Boston's entire recording history, through 2002's Corporate America. He committed suicide in 2007. DeCarlo, a longtime fan, shared his MySpace page of Boston cover songs with Scholz, the band's founder and songwriter. Scholz clearly found a fitting and passionate replacement in DeCarlo, whose big voice not only kept up with the band throughout the night, but could also maneuvered all of Delp's distinctive nuances.

This marked the first date of the band's US summer tour. I came to the show with a cynical attitude, as I never cared for Boston's music and arena rock in general. It's the least subtle sort of rock ever conceived that relishes technique over soul. Fittingly, Scholz began as an engineer and practically invented his own immaculate style of recording that shines of gloss and perfection (in his basement!). But even though all of the band's albums sound the same, there is also a purity to it, and one cannot help but love the sincerity of it all. Boston is a very literal band. It was made for the large live venue, with lyrics like "Come on, put your hands together" in its songs.

In one of the night's showier moments, toward the end of the show, Scholz went over to a bank of synthesizers facing the side of the drum kit. Stacked with four layers of keyboards, he indulged in a lengthy instrumental section. He played the keys rapid-fire style, and a smoke machine started billowing clouds up through the instruments. Above the drum kit, three screens revealed different angles of Scholz' virtuosity. He twiddled a wheel at the end of a keyboard, imitating the sound of a siren.

Though the band indulged us in an instrumental session toward the end, it did not forget its hits and spread them out nicely throughout the set, including "More Than a Feeling" and "Long Time." Victor introduced a few songs into the show, just before "Amanda," for which he sang the lead vocals. Though it's one of the band's slower songs, the show did not get any quieter. The two acoustic guitars rambled with a metallic, piercing quality, and sounded high and trebly. The dynamics in Boston ranges from fast to slow but never soft and loud. Sometimes all those guitars sounded like a chorus of angry angels. Throughout the show there were five or six moments of accidental piercing feedback. Though I heard murmurings in the crowd it was all a muffled blur. Even after the show, as we walked out with the herd, it felt as though an explosion had gone off, and I could only hear things as if I were wearing earmuffs.

Critic's Notebook

The Crowd: Stuck in the seventies (saw more than a few mullets)

Personal bias:
I have nostalgia for my elementary school years (the late seventies)

Celebrity sighting: Channel 7 News sports reporter Mike DiPasquale


Setlist (Note: I missed jotting down three songs during the show, so the setlist is not complete. Fill in the blanks, Boston fans!)

Rock & Roll Band
Smokin'
Feelin' Satisfied
It's Easy
Surrender To ebony porn Me
Don't Look Back
Something About You
Amanda
More Than A Feeling
The Launch
Cool the Engines
My Destination
A New World
To Be A Man
instrumental keys
Walk On
Foreplay/Long Time

Encore:
It's a party

Photos: Sayre Berman

Boston at Hard Rock Live

Classic rock legends Boston brought the nostalgia to the Hard Rock Live at the Seminole Hard Rock Hotel & Casino. Before the show, the band signed and donated memorabilia to the Hard Rock Cafe.

Interview by Boston's David Victor

Interview by Boston's David Victor

Rock band on stage July 1 in St. Augustine Amphitheatre

By Kara Pound

With hits like "More Than a Feeling," "Peace Of Mind," "Foreplay/Long Time," "Don't Look Back" and "Amanda," Boston became one of the biggest rock bands of the 1970s and  80s. Centered around guitarist, songwriter, keyboardist and producer Tom Scholz  the only original member  Boston's 1976 debut album is the second biggest-selling debut album of all-time in the U.S. with more than 17 million copies sold.

The band's current line-up is Gary Pihl (lead guitar), Tommy DeCarlo (vocals/percussion/keyboards), Tracy Ferrie (bass guitar), Curly Smith (drums) and brand new member David Victor (vocals/guitar). Compass caught up with Victor to chat about the upcoming tour and being discovered on YouTube.

Compass: I know you've been in Boston tribute bands, but tell me a bit about how Tom Scholz and the other members of Boston found you.

David Victor: Well, basically I'm one of those YouTube babies [laughs]. I was performing in one of my Boston tribute bands and we were doing "Smokin'" and the video got a lot of hits and it took a little while  that was back in 2007. But ya, it eventually popped up on the radar, the band found me, I did a little recording at Tom's studio and he liked what he heard. It just kind of moved along from there.

Compass: Was the band actively looking for someone to share in vocal responsibilities or when they found you, it sparked them to tour again this year?

D.V.: Actually, it's probably more the latter. They did tour in 2008 and the previous guitarist/vocalist Michael Sweet had left the band. So there was kind of a spot to fill and I was there.

Compass: Is it surreal to be playing in a band you used to basically worship?

D.V.: It is kind of surreal. The first time I walked into rehearsal it was just Gary Pihl, the guitar player, and myself. He and I were working on some parts and he walks me up to the little bowl of talc and says, "Oh, this is something we like to do before we play  talc up." He said go ahead and so I reached in and threw a bunch of talc on the neck of my guitar [laughs] and he goes, "No. No. It's for your hands." I was kind of nervous. He and I played for a while and then the rest of the band slowly materialized over the course of the next few until Tom Scholz, himself, was standing right there next to me.

Compass: Tell me about the set list for this tour. Are there songs that you will absolutely play at every show?

D.V.: The set list is very set. We've been working on it  kind of going through it as we rehearse. For the most part, the set is a nice blast of all the hits that people remember and a few album cuts that are special to the fans  the diehard Boston fans. There's kind of something for everyone in there.

Boston will perform at the St. Augustine Amphitheatre on Sunday, July 1st. Gates open at 6:30 p.m. and the show starts at 7:30 p.m. Tickets are $125 for the first five rows of the seated pit and $69.50 for the back five rows. $69.50 for 100 Level, $59.50 for 200 Level and $39.50 for 300 Level. Go to http://staugamphitheatre.com