Album Reviews

The Buffalo News - Remasters

Boston, "Boston" and "Don't Look Back," Remastered Editions (Epic/Legacy). Widely regarded as evil corporate rock, the launching pad for the "classic rock" radio format, or the very in-studio excesses that required the cleansing flood of DIY punk, Boston's first two albums are actually groundbreaking home-studio projects made out of desperation by MIT graduate Tom Scholz. Scholz - a brilliant guitarist, arranger, producer and, like what he did or not, a musical visionary - was about to throw in the towel and accept music as a non-moneymaking passion when he recorded "Boston" in his basement studio back in early 1976. Melodic power-pop with gorgeously layered guitar harmonies and a rich, dense sound - a product of Scholz's ingenuity, not an inflated major-label recording budget - the album featured Scholz handling 90 percent of the instrumentation himself, helium-voiced singer Brad Delp contributing the lead vocals and impressively stacked harmonies throughout. The album exploded, selling millions and making instant classics out of "More Than A Feeling" - Kurt Cobain reimagined this tune, consciously or otherwise, as "Smells Like Teen Spirit" some 15 years later - "Peace of Mind" and "Foreplay/Long Time," and giving Scholz a recording budget he'd only previously dreamed of. "Don't Look Back" followed a few years later, and fell only a few inches shy of "Boston's" grandeur. Both these records sound fantastic in their remastered forms, not surprising, since Scholz himself handled the work. The definitive editions of two '70s power-pop classics, then. 4 stars for "Boston"; 3 stars for "Don't Look Back." (J.M.)

The Rock Radio - Remasters

Out on Tuesday, June 13th, are new editions of the first two Boston albums -- their self-titled debut from 1976 and its follow-up, 1978's Don't Look Back. They were overseen by group leader Tom Scholz, who jumped in after the label planned to release what he thought were sub-standard versions. Scholz told us that he worked tirelessly alongside a favorite engineer to get the updated CDs where he wanted them sonically: "We worked 12-plus-hour days, eight days straight, and literally went over every second, every beat, of all of the songs on the first two albums -- inch-by-inch, millisecond-by-millisecond. Made just thousands of small adjustments to make the mix into what it would have been if I had had modern do-dads back in the '70s."

The record company originally had someone else remaster the albums, and there were also some live bonus tracks included. When he heard what was happening, Scholz cancelled a birthday vacation to the Florida Keys back in March so he could take care of things himself.

CD Review: Boston, Don't Look Back - Remastered

Saturday, June 10, 2006
CD Review: Boston, Don t Look Back
Epic/Legacy
By David Chiu

Bob Dylan might have released an album with the title  The Basement Tapes, but if he hadn t, it would have been the perfect moniker for Boston s 1976 multiplatinum debut album. The songs that would make up Boston and usher in arena (or if you want to be cynical, corporate) rock were recorded 30 years ago in founder/guitarist Tom Scholz s basement; the assembling the rest of the guys seemed like an afterthought. Scholz might have languished and labored in obscurity recording the songs in his basement but the hard work and ingenuity paid off: the symphony of guitars and pristine production forged a distinct sound with enough and frequent melodic hooks to ensure a good ol time for the young and faithful.

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Fresh spins for the week of June 13 - Remasters

New CD and Music DVD Releases
Fresh spins for the week of June 13
By CD World Staff
Boston: Self Titled, Don't Look Back


Remastered from original masters and will also come with new 12-page booklet that contains new photos, new liner notes, and other goodies. This set is packaged in a digipak. Don't Look Back is the second album by American rock band Boston, released in 1978. 'Don't Look Back' the single, was one of their biggest hits, reaching #4 in 1978 on the Billboard Hot 100. It features yet another memorable guitar riff intro from underrated guitar mastermind and founder of the band, Tom Scholz.

The Courier Gazette - Remasters

Boston (1976, Epic/Legacy, 37:46). The debut album, which sold an astounding 17 million-plus copies, was basically Tom Scholz working in his basement and Brad Delp then adding all the vocal parts. The classic album opens with the classic single, "More Than a Feeling", pure power guitar pop. The rest of the album goes from the symphonic opening of "Foreplay/Long Time" to the basic rock of "Rock & Roll Band" and the spirited closer "Let Me Take You Home Tonight", which nears gospel shouter. While remastered, both this and "Don't Look Back" do not feature any bonus material.

Sound and Vision - Remasters

Sound and Vision magazine's Vice President/Editor in Chief Mike Mettler recently did an interview with Tom as well. He states, "You've never heard Boston and Don't Look Back like this before. These remasters show just how far ahead of his time Tom Scholz was (and still is) -- they're two of the best-sounding CDs I've ever listened to. Run, don't walk (and don't look back!), and go buy these two classic discs immediately. Your ears will be glad you did.

I spent about 50 minutes alone just on 'More Than a Feeling.' What a difference! The bass on the intro is indeed much fuller. Brad's vocals are also much fuller, and even wider in scope. On previous CD versions, it's almost like he's singing through water. The difference is quite noticeable when he sings 'away' at the 0:40 mark, and especially 'away - hey' @2:26. The drums are punchier (you can feel the kick right in the gut), and cymbal and stickwork are crisper.In general, Brad's vocals are a revelation throughout both albums, making me feel like he was singing right in front of me. "A live interview with Tom will be broadcast in the future at soundandvisionmag.com in the near future. Check the site for further information.

Boston reissue first two albums

Out on Tuesday, June 13th, are new editions of the first two Boston albums -- their self-titled debut from 1976 and its follow-up, 1978's Don't Look Back. They were overseen by group leader Tom Scholz, who jumped in after the label planned to release what he thought were sub-standard versions. Scholz told us that he worked tirelessly alongside a favorite engineer to get the updated CDs where he wanted them sonically: "We worked 12-plus-hour days, eight days straight, and literally went over every second, every beat, of all of the songs on the first two albums -- inch-by-inch, millisecond-by-millisecond. Made just thousands of small adjustments to make the mix into what it would have been if I had had modern do-dads back in the '70s."

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Boston rocks again: With remastered classics, band's leader shares more than a feeling

Try to imagine this happening today: A band with no profile, no connections and virtually no fans gets signed to a major label. The first album consists of material the leader had been tinkering with in his basement for the past six years. It turns into the biggest-selling debut album of all time.

It happened 30 ebony porn years ago, when Boston released its self-titled 1976 debut. The group hadn t even played live much before its release; and leader Tom Scholz recorded most of the music with singer Brad Delp at his home studio in Watertown. But the album came to define the sound of AOR radio, and its tracks are still getting played today.

That 17-million-selling album and its 7-million-selling follow-up in 1978,   Don t Look Back, get reissued today in new versions remastered - painstakingly, of course - by Scholz.

  The remasters sound like the original vinyl, as played through a better stereo system than you ever had before, said Scholz, who s enough of a perfectionist to spend years on a single track.   I couldn t listen to the CDs that were out before. But this was a real interesting technical exercise, and fun because I had to use every bit of technical knowledge I ve gained over the years. We made the vocals fuller and louder, the power chords are mo bigger. We removed the screech factor from the lead guitars. We literally went through each song second by second.

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